Who are you? Back-story and childhood
I'm Xtendosworld, I was born in Wichita Falls, Texas. I never spent much time there growing up because I was always on the move for the majority of my childhood.
How did you first get into rapping, and what inspired you to pursue it as a career?
It originated in 2012 as a kid and a portion of 2016 but I didn't start to pursue a music career until 2017 after discovering xxx, that rebellious kick resonated with me I was fucking with how different it was.
What sets your style of rap apart from other artists in the industry?
My style is somewhat experimental I genuinely have my unique versatile sound, I don’t sound like anyone.
Who are some of your biggest musical influences, and how have they shaped your sound?
I’d honestly have to say UnoTheActivist, the sound of my recent body of work “EXORCIST+” was partially influenced by bro
Can you describe your creative process when it comes to writing and producing new music?
When I freestyle the flow the rest just comes to me naturally.
What message or emotions do you aim to convey through your music?
Depending on the song itself if it’s a turnt or melodic song I’d want the audience to carry that energy and go crazy.
How do you approach collaborations with other artists? Is there anyone you would particularly like to work with in the future?
I don’t if an artist wants to work with me I’ll do it if they could afford my price, I only work with my gang honestly aside from that I’d be down to work with artists such as Uno, Matt Ox, and Lonely
What do you think is the most important aspect of a live performance?
Maintaining that turnt energy engaging with your audience.
Are there any upcoming projects or releases that you're particularly excited about?
My album “EXORCIST+” exorcist as a whole is a real gem two bodies of work combined into one entity, nothing but real deal hits.
What advice would you give to aspiring rappers who are just starting their journey in the music industry?
Create a lane that’s exclusive to you and rock out with that.
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